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Too much rock, and the dancier stuff is kinda all clumped together. On the whole, I think it holds up, though I'd only give it a c+/b- grade. Especially CMJ and Uncut, and who has the cash to get a subscription to Wire? (If anyone reading this would like to buy me one.) Especially now, as (I don't know if it's me or the music) they seem to have really fallen off in terms of quality and ecclecticism. I don't think I can over-emphasize the amount of influence that samplers had in my early (really, pre-internet) music life, something that I've largely given up. Though this has a Gang of Four track on it, that was before I bought the album (which makes me feel vaguely ashamed, even though it shouldn't) because I'd gotten it off of an Uncut sampler.
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Or at least include only a little bit of, as sort of palate cleansers. I can tell that it was a casual mix because there are a lot of sort of cotton candy picks on there (Pixies, Dead Kennedys, Talking Heads) that I try to stay away from when I make tapes for other people. But since this was just a tape to listen to in the car while I drove in and out of work about half an hour), I don't sweat that too much. I like mixes that seem timeless, but I put a lot of Faux Jean on there because I had just seen them live and loved it. Well, I can tell pretty much exactly when I made this by looking at the music, which is kind of nice and kind of a little bit sad. I Feel Better than James Brown- Was (NOT WAS) The Communication- Thinkin' Fellers Union Holiday in Cambodia (live)- Dead Kennedys I don't title my mixes unless they're for someone else.